Chinese Dragon Tattoo Head Dance Symbol Drawing Pictures Parade Costume Mask Images: Chinese Dragon Myth Chinese Dragon Tattoo Head Dance Symbol Drawing Pictures Parade Costume Mask Images

Wednesday, 9 April 2014

Chinese Dragon Myth Chinese Dragon Tattoo Head Dance Symbol Drawing Pictures Parade Costume Mask Images

Chinese Dragon Myth Biography

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The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.

This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths.

My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.

In spite of much research and conjecture, the origin of the Chinese people remains undetermined. We do not know who they were nor whence they came. Such evidence as there is points to their immigration from elsewhere; the Chinese themselves have a tradition of a Western origin. The first picture we have of their actual history shows us, not a people behaving as if long settled in a land which was their home and that of their forefathers, but an alien race fighting with wild beasts, clearing dense forests, and driving back the aboriginal inhabitants.

Setting aside several theories (including the one that the Chinese are autochthonous and their civilization indigenous) now regarded by the best authorities as untenable, the researches of sinologists seem to indicate an origin (1) in early Akkadia; or (2) in Khotan, the Tarim valley (generally what is now known as Eastern Turkestan), or the K’un-lun Mountains (concerning which more presently). The second hypothesis may relate only to a sojourn of longer or shorter duration on the way from Akkadia to the ultimate settlement in China, especially since the Khotan civilization has been shown to have been imported from the Punjab in the third century B.C. The fact that serious mistakes have been made regarding the identifications of early Chinese rulers with Babylonian kings, and of the Chinese po-hsing (Cantonese bak-sing) ‘people’ with the Bak Sing or Bak tribes, does not exclude the possibility of an Akkadian origin. But in either case the immigration into China was probably gradual, and may have taken the route from Western or Central Asia direct to the banks of the Yellow River, or may possibly have followed that to the south-east through Burma and then to the north-east through what is now China—the settlement of the latter country having thus spread from south-west to north-east, or in a north-easterly direction along the Yangtzŭ River, and so north, instead of, as is generally supposed, from north to south.